Monday, September 30, 2019
Much Ado About Nothing : Acts: I & II
Benedickââ¬â¢s Soliloquy on ideal woman: (2.3.20-27) In Shakespeareââ¬â¢s Much Ado About Nothing Benedick, a romantic young Lord in Padua, is head over shoulders in love with Beatrice, Leonatoââ¬â¢s niece. A moment ago he satirized the ââ¬Å"fantasticalâ⬠behavior of Claudius in love. As he readies himself for love, he contemplates the sterling qualities he seeks in his love lady. He desires her to be the embodiment of all rare virtues admired by men. He would not buy her unless she is ââ¬Å"fairâ⬠, ââ¬Å"wiseâ⬠and ââ¬Å"virtuousâ⬠. Furthermore, she needs to be ââ¬Å"richâ⬠, and ââ¬Å"mildâ⬠, and à ââ¬Å"nobleâ⬠. He also expects her to be à a brilliant conversationalist as well as an ââ¬Å"excellent musicianâ⬠. Benedick goes about choosing his woman as a fastidious buyer go bargaining for the best property at lowest price. This speech is meant to provide fun and mirth to the audience; but it also demonstrates the male attitude of regarding women as property. If he succeeds, then he would be in possession of a gem of a woman, and could go about boasting of à his prize catch. We are indeed prone to laugh at such acquisitiveness. The commodification of woman is also deplorable. She has to be tailor-made with all virtues stitched in to satisfy the male ego. It is a folly for Benedick that he rules out the possibility à that if such a perfect woman existed at all , she might à not choose him. Benedickââ¬â¢s reaction to hearing that Beatrice is secretly in love with him: (2.3.181-213):2 paras. On her husband like qualities. On why he is so easily duped by his friends. In the speech following the trap à set by Pedro, Claudio and Leanato, Benedict starts behaving like a very compromising lover who is willing to bury pastà his antagonism with Beatrice. As suggested by Pedro, Benedick begins his introspection ââ¬â self-examination to improve his chances of being a good and worthy husband. Like a repentant lover and future husband he feels he has unfairly treated the fair Beatrice, and her love ââ¬Å"must be requitedâ⬠. (2.3.216) He also decides that he ââ¬Å"must not seem proud.â⬠(2.3.220). He concludes that she is fair, virtuous and wise for having fallen in love with him. He has now grown wise to listen to peopleââ¬â¢s criticism which would lead to the improvement of his personality. For having so long opposing and railing against marriage, he makes a 180 degree turn and pledges to ââ¬Å"be horribly in love with her.â⬠(2.3.226) He further argues that he must break his vow of celibacy so that ââ¬Å"the world must be peopled.â⬠(2.3.233). Being conditioned and brainwashed by Leanato, Pedro and Claudio he now discovers ââ¬Å"some marks of love in her.â⬠(2.3.236)His conclusion ââ¬â ââ¬Å"I am a villain; if I do not love her.â⬠(2.3.253) ââ¬â is a proof of his delusion. In this speech Benedick recapitulates after eavesdropping the mock-serious conversations of Claudio, Pedro and Leanato who aver that Beatrice is dying for his love, but à is too modest ââ¬Å"to wear her heart out first.â⬠(2.3.195) What he so long regarded ââ¬Å" a gullâ⬠now has become veritable truth; as he says, ââ¬Å"This can be no trick: the conference was sadly borne.â⬠Like the typical lover with à ââ¬Å"imagination à all compactâ⬠, he is duped by theà prank played by Pedro and Claudio. He is unable to see through the ââ¬Å"sportâ⬠to mislead both à the proud lovers to hold ââ¬Å"an opinion of anotherââ¬â¢s dotage.â⬠(2.3.208) The old and the experienced Prince and Governor are successful in manipulating the romantic but arrogant lovers to confess their love and overcome their egoes. All Beatriceââ¬â¢s objections like ââ¬Å"Against my willâ⬠and forcing her on ââ¬Å"knifeââ¬â¢s point â⬠¦to choke a daw withal.â⬠(2.3.246) are romantically interpreted as signs of love. Benedickââ¬â¢s behavior does confirm Shakespeareââ¬â¢s view of lover in Midsummer Nightââ¬â¢s Dream: ââ¬Å"Theà lunatic, the lover and the poet/Are ofà imagination all compact.â⬠(Midsummer, 5.1.7) Their wild imagination hardly resembles the reality. Qualities I like in a man or woman. Do I choose any qualities admired by Benedick? Why? Or why not? The qualities I like in a man are tenderness, affection, and a capacity for enduring relationship. He must not treat woman as a prized possession for his personal benefit; but treat her as an equal partner. The qualities admired by Benedick are male ego-centric and would not satisfy any modern woman. ââ¬Å"Wiseâ⬠, ââ¬Å"nobleâ⬠and ââ¬Å"mildâ⬠are admirable qualities in male as wellà female spouse. Some intellectual qualities like brilliant conversationalist and excellent musician are à welcome personality traits, but not a necessity. But ââ¬Å"richâ⬠indicates love of wealth and dowry which often creates problems in marital life. Benedick gives the impression of a customer with a shopping list of virtues rather than a lover. To match his list a woman has to be perfect. No woman would like such an exacting husband. Work Cited: Craig, W.J.(ed.),à Shakespeare: Complete Works. London. O.U.P. 1974 Ã
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